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Vishwanath’s First Century and a Kick start to my... It is amazing how a small incident can make a crucial difference to your life and career. This was what Vishwanath’s test debut did to me. I was a relatively junior official in my company. I knew I was...

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Meeting Satyajit Ray......and into Ashani Sanket (Satyajit Ray and I have had very little in common, personally and certainly not professionally. Most mornings I drove past Ray's house on Bishop Lefroy  Road and parked my car close by. I had, however...

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AMRITABHASHINI and its Fading Footprints In the Wikipedia pages on Kottakkal, there is a mention of Amrutabhashini . I quote ,” The development activities of women included modern publications such as Amritha Bhashini and Bala Chandrika, published...

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Another Family Reunion Family Reunion-May 11, 2014 The Kizhakke Covilagam family reunion I attended in 2010 was my first experience of attending the annual family meet, started ten years ago. I attended it a second time...

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Medical Education: Is Ethics part of it ? July 31, 2014 diagnostic tests It is high time that a formal course in ethics is made an integral part of medical education. An administrator of a leading hospital in Mumbai, herself a doctor, told...

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Vishwanath’s First Century and a Kick start to my career

Category : Non Profits

It is amazing how a small incident can make a crucial difference to your life and career. This was what Vishwanath’s test debut did to me. I was a relatively junior official in my company. I knew I was being trained to take over the Market Research Division. But that would have depended on my success in one or two difficult assignments . There was no dearth of competitors!

One such assignment came up in 1969- a survey on a new type of decorative closures. The liquor companies were the principal prospects. There were only three major groups and I could therefore approach each of them to conduct personal interviews.

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Meeting Satyajit Ray……and into Ashani Sanket

Category : Miscellany

(Satyajit Ray and I have had very little in common, personally and certainly not professionally. Most mornings I drove past Ray’s house on Bishop Lefroy  Road and parked my car close by. I had, however never thought of meeting Ray, let alone, discussing his films. Yet I did meet him once…)

I had seen most of Satyajit Ray’s films, many without subtitles, in Calcutta’s theatres and had just started going to the Sunday morning shows of a film society. The film society movement owed its existence to Ray; it was pretty active in the 1970’s and 80’s and had   produced renowned directors like Basu Chatterjee, Kantilal Rathod and Shyam Benegal. I had heard something about Ray’s shooting style and schedules from my colleague in Metal Box, Dhritiman Chatterjee, who had an offer for the principal role in Ray’s film Pratidhwandhi and had just finished shooting. Dhritiman was a management trainee and it took a great deal of pleading and the intervention of a Director, for the British company to bend its rules and let him take two months off for shooting.

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